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2016 | 独立单元 | 自在•高原

九十年代中国摇滚图景

这是一个普通人都在追念情怀的时代,1990~1999,这是一个混合了逝去的真实和想象的时代,是一个建构了阳光、自由和诗意的黄金时代。中国摇滚乐曾在这十年里短暂爆发过,这些音乐不仅呈现了"一种社会现实性的、个人内心化的焦虑与寻求宣泄表达的企图",也陪伴很多人走过了青春。这代人对于青春、自由、才华、独立的追求,深远影响了那个时代。在高原的镜头里,她不旨在展现这份“理想”,她比记录者更重要的身份是陪伴者,甚至参与者。高原说,在那个时代里,她并不感到迷惘,迷惘的却是现在。所以,在这样个人的表达面前,并不需要一场固化的集体审美,愿意从音乐、摄影、文化还是社会学层面去解读,愿意缅怀青春还是唤醒记忆,都凭观者自己选择,希望大家都能“在内心中自由生长”。

In the 1990s, all Chinese people retrospect the feeling of the past. It is an era mixing the reality and imaginary of the past, and a golden age constructing the sunshine, freedom and poetry. In this decade, Chinese rock music had briefly erupted. This rock music accompanying many Chinese people through the youth, presented the anxiety of social reality and themselves and the purpose of acting out and expressing. On the contrary, the pursuit of youth, freedom, talent and independence in this generation deeply affected their age. In Gao Yuan ’s lens, she did not want to be a recorder and show this "ideal". What she wanted to express in her photographs was that at that time she really stayed with the rock musicians and joined them. Gao Yuan said she didn't feel lost at the time, but now. So in these photographs of personal expression, we do not need to follow the Collective aesthetic. It depends on the viewers themselves who may be willing to read the photos from the music, photography, culture or sociology, or read them as missing the lost youth and reminding of their past.

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